Zoic Creates 150 Shots For New 'Crouching Tiger' Film
April 4, 2016

Zoic Creates 150 Shots For New 'Crouching Tiger' Film

VANCOUVER — Zoic Studios (http://www.zoicstudios.com) created 150 VFX shots for The Weinstein Company/Netflix production of Crouching Tiger, Hidden Dragon: Sword of Destiny, which opened on February 26. Directed by fight choreographer Yuen Wo-Ping, the film stars Donnie Yen and Michelle Yeoh, who reprises her role as Yu Shu Lien. 
Led by production VFX supervisor Mark Stetson, VES, who was on location for the shoot in New Zealand and China, Zoic crafted 150 shots centered around a pivotal action sequence that takes place at an ornate pagoda. Stetson oversaw VFX for the entire film, and worked closely with the filmmakers, the production art department and the Zoic Vancouver CG team to bring the stylized 18th century Chinese aesthetic to life. The film is the first to receive simultaneous IMAX and Netflix release. 

The pagoda as designed was too large to construct as a single set piece, so it was to be visualized via CG effects. One interior set, a 10-meter section of the exterior built in front of a backlot greenscreen, and a four-meter ground floor built on location, were created by the art department for the battle sequence. To complete the full seven-story structure, the Zoic team created a CG pagoda for wider establishing shots, working carefully to maintain consistency on details with the interior and exterior partial sets. 

The action-packed sequence meant a variety of stunt work, which called for complex rig removals, 2D and 3D head replacements on stunt doubles, and several digital doubles complete with simulated cloth and hair. Additionally, building damage was added to visualize the destruction from the battle’s escalation. 

Having previously worked on a number of wire-stunt features in the past, including Charlie’s Angels: Full Throttle, Stetson was savvy to this type of VFX challenge and worked closely with the Zoic team to deliver seamless final shots that highlighted the impressive fight choreography.

In addition to the fight sequence, Zoic also worked on a number of wide establishing shots of the pagoda environment earlier in the film, amplifying the sweeping landscapes and romantic views. Other key sequences included the all-digital shots of Silent Wolf and Hades Dai tumbling down the face of the pagoda amongst the debris of the collapsing roofs, as well as the VFX involved with the fight between the Blind Enchantress and Yu Shu-Lien.