To strike the exact tone and manufacture effects to perfectly complement the live action, director/writer Dan Kern enlisted Nice Shoes to handle all visual effects and color grading for his brief but poignant film.
Set in the austere rooms of a hazy and unsettled world, “Exhume” roams back and forth between a psychiatrist's office and the desperate past of a man torn from his lover. As the distraught patient tries to extricate his painful memories, he occasionally encounters his beloved's apparition, flashing seismically before him.
Director Dan Kern notes, "Because ‘Exhume’ is about memory and loss, I wanted to push the limits of a handheld, long-lens Super 16 aesthetic to create an intimate, almost claustrophobic, feel to the story. Nice Shoes built on that intensity with an approach to the effects that felt handmade and blended in perfectly with the dreamy texture of the film's psychology."
"The world of ‘Exhume’ is very postapocalyptic," adds Nice Shoes CD Aron Baxter. "The machinery has a handmade, pre-Second World War feel. We intentionally created the effects to inhabit this world, so we went for a low-fi, anti-modern-technology look, which served to unify Dan's vision."
Nice Shoes took an active role from the project's outset, discussing ideas as soon as the script was written and ramping up their efforts at the pre-production stage. As is their custom in projects of this nature, the Nice Shoes team attended the shoot and made recommendations throughout. They began the process of designing some of the VFX—for example, ghost effects and oscilloscope looks—prior to starting on post. With these tasks out of the way, the crew only had to break down the definitive tasks and refine the visual effects to mesh with the actual footage once the film was shot.
Given the memory-erasing subject matter, Nice Shoes sought to tap into the dark side of life. Adds Baxter, "With a goal to hit exactly the right look and to stay consistent throughout the project, we referenced lots of movies and clips, throwing ideas back and forth among one another. We went through clips with scan lines, contorted images, and lo-fi recordings…everything. We wanted to capture the perfect analog feeling."
Production Company: Parts and Labor
Director/Writer: Dan Kern
Producers: Tory Lenosky, Lucas Joaquin
DP: Aaron Phillips
EP: Jay Van Hoy, Lars Knudsen, Joe Riley
Editor: Josh Schaeffer
Color Grading: Nice Shoes
Colorist: Ron Sudul
Post/Effects: Nice Shoes
CD: Aron Baxter
Lead VFX: Jason Farber
VFX Artists: Russ Bigsby, Vincent Roma, Bryan Rosenblum
Producer: Jen Cadic
Opening Title Design and Animation: Kit Lam
Music: Stars of the Lid