Our sensory systems, like the aesthetic experiences they ascertain, operate simultaneously on several channels. Touch, for example, is not a binary system, but a complex structure of multiple sensory mechanisms, synthesizing such information as pressure, temperature, hardness, vibration, and weight. This sensory amalgamation is exploratory in nature, developing haptic awareness through the active combination of kinesthetic and tactual evidence. An object brought to the hand cannot be described like the one explored by the fingers.
While the initial focus of the exhibition was on the sense of touch, the jury felt it was relevant to extend the breadth of sense experience. Therefore, the selected works include a range of sensory involvement, including scent and audio interactions. Some works are more solely focused on bodily presence, while others address the virtual hand in the machine. Overall, the multi-layered polysensory experience of the artwork has become the dynamic focus, forcing vision to share the pedestal of privilege with other sense modalities.